hairychikubi:

affection is dumb and gross 
drown me in it

(via todayistomorrowshistory)

"The person who tries to keep everyone happy often ends up feeling the loneliest."

Anonymous (via felicefawn)

(Source: onlinecounsellingcollege, via were-still-screaming)

stufftheysaytodepressedpeople:

No one has the right to tell you that their life is harder than yours. No one has the right to invalidate your struggles because they “got through it just fine.” No one has the right to tell you to suck it up because other people have it “worse.” Hardships are not comparable. Your struggles are real, legitimate, and just as difficult as anyone else’s
This has been a PSA thank you

(via highanxietiessupport)

fall-enleaves:

You can’t save someone and someone can’t save you but you can hold someone while they save themselves and someone can hold you while you save yourself.

That’s something a lot of people don’t get and something the media capitalizes on, “saving people through relationships.”

Relationships are wonderful when it’s people working with each other and not people working for each other expecting to be a saviour. 

(via highanxietiessupport)

metaphoricalanchor:

i want to write the kind of short stories you read in english class that are on this weird level of surrealism that they still haunt you years down the road

(via i-became-as-mad-as-rabbits)

"

As women, when we’re children we’re taught to enter the world with big hearts. Blooming hearts. Hearts bigger than our damn fists. We are taught to forgive - constantly - as opposed to what young boys are taught: Revenge, to get ‘even.’ Our empathy is constantly made appeals to, often demanded for. If we refuse to show kindness, we are reprimanded. We are not good women if we do not crush our bones to make more space for the world, if we do not spread our entire skin over rocks for others to tread on, if we do not kill ourselves in every meaning of the word in the process of making it cozy for everyone else. It is the heat generated by the burning of our bodies with which the world keeps warm. We are taught to sacrifice so much for so little. This is the general principle all over the world.

By the time we are young women, we are tired. Most of us are drained. Some of us enter a lock of silence because of that lethargy. Some of us lash out. When I think of that big, blooming heart we once had, it looks shriveled and worn out now. When I was teaching, I had a young student named Mariam. She was only 11 years old. Some boy pushed her around in class, called her names, broke her spirit for the day. We were sitting under a chestnut tree on a field trip and she asked me if a boy ever hurt me. I told her many did and I destroyed them one by one. I think that’s the first time she ever heard the word ‘destroyed.’ We rarely teach our girls to fight back for the right reasons.

Take up more space as a woman. Take up more time. Take your time. You are taught to hide, censor, move about without messing up decorum for a man’s comfort. Whether it’s said or not, you’re taught balance. Forget that. Displease. Disappoint. Destroy. Be loud, be righteous, be messy. Mess up and it’s fine – you are learning to unlearn. Do not see yourself like glass. Like you could get dirty and clean. You are flesh. You are not constant. You change. Society teaches women to maintain balance and that robs us of our volatility. Our mercurial hearts. Calm and chaos. Love only when needed; preserve otherwise.

Do not be a moth near the light; be the light itself. Do not let a man’s ocean-big ego swallow you up. Know what you want. Ask yourself first. Decide your own pace. Decide your own path. Be cruel when needed. Be gentle only when needed. Collapse and then re-construct. When someone says you are being obscene, say yes I am. When they say you are being wrong, say yes I am. When they say you are being selfish, say yes I am. Why shouldn’t I be? How do you expect a woman to stand on her two feet if you keep striking her at the ankles.

There are multiple lessons we must teach our young girls so that they render themselves their own pillars instead of keeping male approval as the focal point of their lives. It is so important to state your feelings of inconvenience as a woman. We are instructed to tailor ourselves and our discomfort - constantly told that we are ‘whining’ and ‘nagging’ and ‘complaining too much.’ That kind of silence is horribly violent, that kind of insistence upon uniformly nodding in agreement to your own despair, and smiling emptily so no man is ever uncomfortable around us. Male-entitlement dictates a woman’s silence. If we could see the mimetic model of the erasure of a woman’s voice, it would be an incredibly bloody sight.

On a breezy July night, my mother and I were sleeping under the open sky. Before dozing off, I told her that I think there is a special place in heaven where all wounded women bury their broken hearts and their hearts grow into trees that only give fruit to the good and poison to the bad. She smiled and said Amen. Then she closed her eyes.

"

A Woman of War by Mehreen Kasana (via exoticwild)

(Source: pbnpineapples, via finding-riley)

"Be good to people. Even the shitty ones. Let the assholes be assholes. You’ll sleep better."

Adam Gnade (via theanneswer)

(via finding-riley)

tfios-changed-my-life:

So this little cigarette right here has sparked a whole new brand of TFiOS hate, much of which is coming from people who claimed to love the book. 
Many people are now pointing out how “pretentious” Augustus is, and I can’t help but think, You’re only just now realizing this. He was written to be a seemingly pretentious and arrogant person. The acknowledgement of this is actually highly important because, without it, the book loses the message that a hero’s journey is that of strength to weakness. 
Augustus Waters has big dreams for himself. He wants to be known and remembered; he wants to be a hero; he wants to be seen as perfect. But there’s already something standing in his way… He has a disability, and society tells him that a person cannot be both perfect and disabled. So what does he do? He creates a persona for himself. He tries to appear older and wiser than he is. But the pretentious side of him is NOT who he truly is. It’s all an act. (This is evident in the fact that he often uses words in the wrong context.)
And when his cancer returns, we begin to see his mask cracking. The true Augustus begins to bleed through… Hazel even takes notice of this from time to time. And by the time we get to the gas station scene, Augustus is no longer the picture of perfection he was when we met him. The play has been canceled. The actor must reveal himself. And he’s revealed to be a weak, defenseless boy, succumbing to the cancer that is made of him. 
THE PRETENTIOUSNESS IS INTENTIONAL. It stands to show Augustus’s journey from flawless to flawed, from strong to weak. It’s the key to understanding that Augustus was the hero he always wanted to be, even if he didn’t realized it. 

tfios-changed-my-life:

So this little cigarette right here has sparked a whole new brand of TFiOS hate, much of which is coming from people who claimed to love the book. 

Many people are now pointing out how “pretentious” Augustus is, and I can’t help but think, You’re only just now realizing this. He was written to be a seemingly pretentious and arrogant person. The acknowledgement of this is actually highly important because, without it, the book loses the message that a hero’s journey is that of strength to weakness

Augustus Waters has big dreams for himself. He wants to be known and remembered; he wants to be a hero; he wants to be seen as perfect. But there’s already something standing in his way… He has a disability, and society tells him that a person cannot be both perfect and disabled. So what does he do? He creates a persona for himself. He tries to appear older and wiser than he is. But the pretentious side of him is NOT who he truly is. It’s all an act. (This is evident in the fact that he often uses words in the wrong context.)

And when his cancer returns, we begin to see his mask cracking. The true Augustus begins to bleed through… Hazel even takes notice of this from time to time. And by the time we get to the gas station scene, Augustus is no longer the picture of perfection he was when we met him. The play has been canceled. The actor must reveal himself. And he’s revealed to be a weak, defenseless boy, succumbing to the cancer that is made of him. 

THE PRETENTIOUSNESS IS INTENTIONAL. It stands to show Augustus’s journey from flawless to flawed, from strong to weak. It’s the key to understanding that Augustus was the hero he always wanted to be, even if he didn’t realized it. 

(via tardisbluenails)

"

1. Make sure you own a nice bed.

2. Sleep in it frequently.

3. Remember how nice it feels to flip over your pillow to the cooler side.

4. Check your pulse and hum along to the rhythm because it is music.

5. Write clear and make a lot of spelling errors. Get the poison out and don’t worry about it being neat.

6. If you can, do not shut people out. You will have good days and they should see them.

7. If you feel overwhelmed, go outside and scream. Find a nice empty park in the middle of the night and scream as loud as you can until your throat is bleeding. The world wants to hear you.

8. Let yourself fall in love. Believe it or not, there are people out there who want your blacks and blues.

9. Keep waking up.

10. Keep waking up.

11. Keep waking up. Maybe with someone next to you.

"

tips on how to keep going (via florida-sounds)

(Source: alonesomes, via finding-riley)

Surprisingly, perfectionists are often procrastinators, as they can tend to think “I don’t have the right skills or resources to do this perfectly now, so I won’t do it at all.”

(Source: myeyesarehazel, via you-can-survive)